(Editor's
note: Paramount has begun releasing some of these films in new "Director's
Editions," which we will review here
as they come out. )
"Star Trek II - The Wrath of Khan" could be credited
with having saved "Star Trek" from a premature (well, to many of us) fate.
"Star Trek - The Motion
Picture" was a big disappointment in that it forgot what made Trek great
and concentrated instead on special effects and "bigness' - in short,
it was form over substance.
Paramount decided,
for whatever reason, to take control of the series from Gene Roddenberry's
hands for successive films and handed it over to Harve Bennett. The result
was a much smaller movie than "TMP" and, other than the special effects
(which are fine, but not breakthrough like the first movie's) a much better
movie.
The story's a sequel
to the "Space Seed" episode from the original
TV series' first season. Khan Noonian Singh (Ricardo Montalban, in
all his scenery-chewing glory) is a superman from the late 20th century.
The result of genetic engineering, and one of the causes of the Eugenics
War that led to his - and his "tribe's" - eventual exile from Earth, he
has no delusions of grandeur. No, he IS grand, and
has no intention of letting the galaxy forget it.
In the original episode,
Kirk ends up maroon Khan and kin on the planet Ceti Alpha 5, where he's
free to build whatever society he chooses.
Jump ahead fifteen
years and Khan and the remnants of his community are discovered by Captain
Terrell (Paul Winfield) and his aide Commander Chekov (yes, of course,
THAT Chekov) who think they're actually on Ceti Alpha 6. One would think
the Federation would have better galactic road maps than they obviously
do, so their starships wouldn't make such silly and elementary navigation
mistakes, but what's a plot hole or two in Star Trek.
Plot holes are a grand
Star Trek tradition, and it's nice to see them being exploited so well
again...
Anyway, Khan gets
free and takes control over Terrell's ship and uses it to seek out now-Admiral
Kirk to have his revenge.
There's a nifty subplot
involving the Genesis machine and its "Life from lifelessness" theme that
will carry through the next Trek movie as well. It's the Khan stuff we're
really here for, though, and Bennett, Montalban, et al, don't disappoint.
Star Trek II is the
first of the trilogy that concludes with IV, and the three can almost
be viewed as a single movie - especially II and III, which relate directly
to each other.
Besides Montalban,
we're also introduced to Kirstie Alley as Lt. Saavik (played by Robin
Curtis, and not nearly as well, in STIII). This was probably her breakout
role, and she's very good as the confused young Vulcan being mentored
by Spock. Director Nicholas Meyer (who also made the terrific "Time After
Time") does a nice job of riding herd on the production.
The DVD's widescreen
video quality (enhanced for 16x9 TV's) is really good. The Dolby Digital
5.1 audio's also good for the most part, though its analog roots show
through on occasion and there's some muddiness and distortion. On the
whole, however, it's a very satisfying DVD experience for Trek fans.
Extras are anything
but plentiful, unfortunately. You get the trailer and chapter list and
that's about it.
Still, it's the movie
we want, and a fine version of the movie we got.
Star Trek II: The
Wrath of Khan, from Paramount Home Video
112 minutes, Widescreen (2.35:1), Dolby Digital
Starring William Shatner, Leonard Nimoy, Deforest Kelley, George Takei,
Nichelle Nicholls, Walter Koenig, James Doohan, Ricardo Montalban, Bibi
Besch, Merritt Butrick, Kirstie Alley, and Paul Winfield
Written by Jack B. Sowards, Produced by Harve Bennett
Directed by Nicholas Meyer
Star Trek III is the warmest of the Trek movies,
yet it's still a ripping yarn with enough action and adventure to keep
Trekkies happy.
Directed by Leonard
Nimoy, the film picks up where "Star Trek II - the Wrath of Khan" left
off. Spock has just died and his mortal remains (which turn out to be
not nearly as mortal as originally suspected) have landed on the new Genesis
planet. The Enterprise limps back to space dock and the crew, devastated
by the loss of the Vulcan first officer, waits for a reassignment that
never comes.
McCoy, meanwhile,
has gone from crusty and curmudgeonly country doctor to the personification
of weirdness and it turns out his metamorphosis is due to Spock having
put his life essence into him before making his nearly ultimate sacrifice.
Of course nobody,
including McCoy knows this until Sarek (Mark Lenard), Spock's father shows
up at Kirk's apartment and explains the facts of Vulcan life.
Armed with the new
knowledge that there's a chance to save Spock, Kirk pleads with Star Fleet
to let him return to Genesis with McCoy to try reunifying Spock. The pencil
necked bureaucrats turn him down, however, so Kirk and his inner circle
of series regulars steal the Enterprise right out of space dock and head
for Genesis.
Unfortunately, the
Klingons have gotten wind of the Genesis device and want to turn it into
a weapon, so they're cloaked and waiting for the Enterprise when it arrives
at the Genesis planet. This provides the film's conflict as Kirk and his
merry band have to find and save Spock while fighting off the Klingon
bastards who'll stop at nothing to acquire the Genesis device.
Some wags have written
off every odd-numbered Star Trek movie as being wastes of time and, though
they're not far off the mark when it comes to "V," "Generations," and
the second half of "The Motion Picture," "The Search for Spock" is one
of the best entries. It's all about friendship, respect, and duty, but
though it could easily have gotten bogged down in schmaltz it manages
to resist that temptation.
The cast does a good
job in their familiar roles, especially Shatner as Kirk, who comes off
as more human and less pompous than in any other entry. Christopher Lloyd
is also very good as Klingon Commander Kruge - and watch for John Larroquette
in an early role as a Klingon crewthing.
Leonard Nimoy, who
also directed "Star Trek IV," does a good job with this flick. So did
Paramount when it comes to creating a DVD version. Though there aren't
really any extras of which to speak (all you get is the usual trailer,
chapter stops and language choices), the quality of the disc is first
rate. The widescreen picture looks great and the audio has been translated
into Dolby Digital and it sounds terrific.
In all, an eminently
watchable Star Trek episode.
Star Trek III: The
Search for Spock, from Paramount Home Video
105 minutes, Widescreen (2.35:1), Dolby Digital
Starring William Shatner, Leonard Nimoy, Deforest Kelley, George Takei,
Nichelle Nicholls, Walter Koenig, James Doohan, Christopher Lloyd
Written and Produced by Harve Bennett,
Directed by Leonard Nimoy
Star Trek IV is the series' lightest entry, but
it's also the most serious in that it's a cautionary tale about our fragile
environment and how over the long term our short term shortsightedness
could have horrible consequences centuries down the road.
It's also the third
in a continuous trilogy of films that began with "The Wrath of Khan,"
a tale in which Admiral Kirk manages to regain command of the Enterprise,
fight an old nemesis, kill his best friend, resurrect him, destroy the
Enterprise, get courtmartialed and busted back to Captain, then be given
command of a new Enterprise.
Whew!
Leonard Nimoy directs,
and he does a fine job of taking our heroes through their misadventures
in 1980's San Francisco. The Enterprising bunch are fish out of water
as they stumble through what to them are almost dark ages, trying to find
a couple of humpback whales they can kidnap and bring back to the 23rd
century to save the Earth.
They need the whales
because a mysterious probe has come into the solar system and begun hollering
for them - and, not finding them, is now (or, to those in the 20th century,
then) wreaking havoc on the rest of God's creatures that aren't yet extinct.
Saving the whales
retroactively and thereby saving the Earth proactively gives Kirk and
his now-renegade crew the big stick with which to beat any rap Starfleet
would give them for their actions in Star Treks II and III, and all ends
happily with the crew taking up their traditional duties in a brand new
Enterprise that just happened to be waiting for them in orbit when they
happen to need a new ship.
It's standard Star
Trek stuff, and that means it's a good ride with likeable, comfortable
characters, a healthy dose of action/adventure, and even some food for
thought thrown in for good measure. Besides the usual crew members, who
deliver their usual journeyman performances, Catherine Hicks is along
this time, as a whale expert and the requisite Kirk love interest that
had been missing since the original TV series (not including Dr. Marcus,
of course).
The DVD is in widescreen
(enhanced for 16x9), Dolby Digital and the picture and sound quality are
very good - though we detected a little softness in the image. Extras
include a "director's series" featurette with Leonard Nimoy, which is
a very interesting look at Star Trek movie making, the trailer, languages/subtitles,
and chapter stops. There are no liner notes besides the little blurb on
the back of the box.
Star Trek IV: The
Voyage Home, from Paramount Home Video
118 minutes, Widescreen (2.35:1), Dolby Digital
Starring William Shatner, Leonard Nimoy, Deforest Kelley, George Takei,
Nichelle Nicholls, Walter Koenig, James Doohan and Catherine Hicks
Produced by Harve Bennett, Screenplay by Steve Meerson & Peter Krikes
and Harve Bennett & Nicholas Meyer
Directed by Leonard Nimoy
Star
Trek VI: The Undiscovered Country does a nice job of setting up
"Star Trek: The Next Generation." It's supposed to be the last film with
the original cast (some of whom show up in "Generations") and it revolves
around the beginnings of the Klingon Empire/Federation Alliance that's
still in place by the time Jean Luc Picard and his merry band take over
the bridge of a subsequent Enterprise.
The movie's also an
allegory for the Cold War between the East and the West (on Earth, of
course) and begins with the destruction of the over mined planetoid from
which the Klingons (the East) got much of their resources. This emergency
leads them to seek the Federation's help, which is granted and Captain
Kirk (whose son was killed by these same "Klingon bastards" in Star Trek
III) is given the job of being the liaison between the two races.
But trust is hard
to find among peoples who've been at each other's throats through 79 TV
episodes and five movies and it doesn't take long for a monkey wrench
to be thrown into the peace process - via a well timed assassination that
looks as if it were performed by Kirk or one of his minions.
Christopher Plummer
chews the scenery as Chang, a Shakespeare-spouting Klingon who's always
up for a good battle as long as it's glorious, and Kim Cattrall plays
a Vulcan sidekick to Spock who's a lot more than she appears to be. We
also get to see the former Yeoman Rand in a tiny role, as well as Spock's
father Sarek. Michael (Worf) Dorn is even along for the ride in a tip
of the hat to the Next Generation.
Star Trek VI is a
reunion and a farewell at the same time, and succeeds well as both. It
has an intelligent plot, with the usual action and social commentary,
good special effects, and a cast of familiar and new characters that are
memorable. It's a fine farewell to the original cast, despite their refusal
to stay gone when "Generations" was written.
The DVD is in widescreen,
though not anamorphic widescreen (unfortunately for those with 16x9 aspect
ratio TV's), Dolby Digital and the picture and sound quality are very
good. There aren't many extras, however. All you get is the trailer and
a teaser, languages/subtitles, and chapter stops. There are no liner notes
besides the little blurb on the back of the box.
It has been said that
only the even numbered "Star Trek" movies are any good and we'd agree
that they're the best, though we also have a very soft spot for III and
the first hour or so of the first one. Five, however, is junk.
Star Trek VI: The
Undiscovered Country, from Paramount Home Video
113 minutes, Widescreen (2.35:1), Dolby Digital
Starring William Shatner, Leonard Nimoy, Deforest Kelley, George Takei,
Nichelle Nicholls, Walter Koenig, James Doohan, Christopher Plummer, David
Warner, Kim Cattralll
Produced by Ralph Winter and Steven-Charles Jaffe, Story by Leonard Nimoy
and Lawrence Konner & Mark Rosenthal, Screenplay by Nicholas Meyer
and Denny Martin Flynn
Directed by Nicholas Meyer
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