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"Star Trek" The Original Series on DVD
Paramount Does Trekkies
Proud
Volume 1: "Where No Man Has Gone Before" and
"The Corbomite Maneuver"
Volume 2: "Mudd's Women" and "The Enemy Within"
Volume 3: "The Man Trap" and "The Naked Time"
Volume 4: "Charlie X" and "Balance of Terror"
Volume 5: "What Are Little Girls Made Of" and
"Dagger of the Mind"
Volume 6: "Miri" and "The Conscience of the King"
Volume 7: "The Galileo Seven" and "Court Martial"
Volume 8: "The Menagerie"
Volume 9: "Shore Leave" and "The Squire of Gothos"
Volume 10: "Arena" and "The Alternative Factor"
Volume 11: "Tomorrow is Yesterday" and "The
Return of the Archons"
Volume 12: "A Taste of Armageddon" and "Space
Seed"
Volume 13: "This Side of Paradise" and "The
Devil in the Dark" "
Volume 14: "Errand of Mercy" and "The City on
the Edge of Forever"
Volume 15: "Operation-Annihilate!" and "Catspaw"
Volume 16: "Metamorphosis" and "Friday's Child"
Volume 17: "Who Mourns for Adonis" and "Amok
Time"
Volume 18: "The Doomsday Machine" and "Wolf
in the Fold"
Volume 19: "The Changeling" and "The Apple"
Volume 20: "Mirror, Mirror" and "The Deadly
Years"
Volume 21: "I, Mudd" and "The Trouble With Tribbles"
Volume 22: "Bread and Circuses" and "Journey
to Babel"
Volume 23: "A Private Little War" and "The Gamesters
of Triskelion"
Volume 24: "Obsession" and "The Immunity Syndrome"
Volume 25: "A Piece of the Action" and "By Any
Other Name"
Volume 26: "Return to Tomorrow" and "Patterns
of Force"
Volume 27: "The Ultimate Computer" and "The
Omega Glory"
Volume 28: "Assignment: Earth" and "Spectre
of the Gun"
Volume 29: "Elaan of Troyius" and "The Paradise
Syndrome"
Volume 30: "The Enterprise Incident" and "And
the Children Shall Lead"
Volume 31: "Spock's Brain" and "Is There in
Truth No Beauty?"
Volume 32: "The Empath" and "The Tholian Web"
Volume 33: "For the World is Hollow and I Have
Touched the Sky" and "Day of the Dove"
Volume 34: "Plato's Stepchildren" and "Wink
of an Eye"
Volume 35: "That Which Survives" " and "Let
That Be Your Last Battlefield"
Volume 36: "Whom Gods Destroy" and "The Mark
of Gideon"
Volume 37: "The Lights of Zetar" and "The Cloud
Minders"
Volume 38: "The Way to Eden" and "Requiem for
Methusala"
Volume 39: "The Savage Curtain" and "All Our
Yesterdays"
Volume 40: "Turnabout Intruder" and "The Cage"
Bravo Paramount! It
would have been easy for them to take the old episodes from the original
"Star Trek" TV series and release them on DVD. All they had to do was
convert the existing video versions to the digital disc. And they would
have sold like hotcakes.
But they didn't, and
Trekkies everywhere have a right to be grateful: Star Trek has never looked
or sounded so good.
The old episodes have
been digitally enhanced and remastered and now they're so good that not
only do they look as if they were shot last week, but the resolution is
so high that you can even make out little beads of sweat on the actors'
brows - and that Leonard Nimoy may have had Chicken Pox when he was a
kid.
All the episodes we've
seen so far look glorious. The only problem is that you can now tell just
how low budget a production the original series was. The railing running
around the bridge looks like painted 2x10 (which it probably was) and
you can see similar "warts" all over the place.
This doesn't detract
from the enjoyment, however. On the contrary, it makes you appreciate
just how much Gene Roddenberry and his cast and crew achieved with, as
Spock once said, "Stone knives and bearskin."
The audio has also
received deluxe treatment and is now in Dolby Digital Surround - even
though the source material was mono at best. The sound is not only very
good, with no hiss whatsoever, but it has been remixed into a very good
example of Dolby Digital surround, all things considered.
You really notice
this during sequences with music or atmosphere - and when the Enterprise
"whooshes" past you during the opening credits (and at other times) the
"whooshing noise" now goes right through your home theater as the ship
passes you by - from front center to rear left or right, depending on
the ship's trajectory.
The packaging includes
sparse liner notes, but what's there includes chapter stops, cast/crew
info, and a list of the entire series and how they're being broken down
into DVD releases. The packaging itself is rather ugly and very "un-Star
Trek-like" in its look, but this just goes to show the beauty of this
series is more than skin deep.
Bravo, Paramount -
well done!
The following episodes
have been screened by TechnoFILE and our above comments apply to them
all unless otherwise noted:
Volume 1: "Where No Man Has Gone Before" and "The Corbomite
Maneuver"
Where No Man Has
Gone Before (first season) was actually the second pilot episode NBC
ordered for Star Trek, and is the show that sold the network on the series.
It's pretty good, too. Kirk is now in command of the Enterprise and he
takes his crew through a barrier at the edge of the galaxy. Unfortunately,
the move causes Kirk's friend and shipmante Gary Mitchell (Gary Lockwood,
of "2001" fame) to begin mutating into a kind of superman, a Godlike entity
so powerful he can swat the Enterprise and its human crew as if they were
flies. Can Kirk defeat Mitchell and his rapidly evolving powers before
it's too late?
The Corbormite Maneuver (first season) is Star Trek at its best.
When the Enterprise destroys a space buoy that's emitting deadly radiation,
the ship is captured by the Fesarius, a gigantic ship so large the Enterprise
looks like an ant next to it. Kirk begins a battle of wills with Balok,
the alien ship's captain, a conflict that leads to a desperate bluff on
the human's part as he tries to convince the alien that the Enterprise
and the Federation are far more powerful than they first appear. This
is apparently the first episode to feature Dr. McCoy.
Volume 2: "Mudd's Women" and "The Enemy Within"
Mudd's Women
(first season) introduces us to Harcourt Fenton Mudd, that interstellar
scalawag we'll see later in "I, Mudd." In this episode he's transporting
some strange, beautiful women to be the mail order brides of some isolated
miners. The women cause a "miner" disturbance aboard the Enterprise, with
their strange power over men - and the Enterprise's problems are compounded
by a need for new dilithium crystals, which the miners can supply - but
at a price. An entertaining episode.
The Enemy Within (first season) sees a transporter malfunction
(See, McCoy told them so!) split Kirk into his two "selves," one strong
and evil and the other good but weak. His only chance for survival is
to reunite the two halves, but the bad Kirk isn't about to let itself
get slapped back inside the greater whole. Meanwhile, the bad transporters
lead to a landing party in danger of freezing to death.
Volume 3: "The Man Trap" and "The Naked Time"
The Man Trap is
a terrific 1st Season episode that sees McCoy's old flame reincarnated
as a salt vampire. The last of her species, the creature gets loose aboard
the Enterprise and starts killing crew members for the salt in their bodies.
There are nice scenes showing areas of the ship not normally seen, and
cast members are given more to do than in many later episodes.
The Naked Time
(first season) sees a strange illness beamed aboard the ship with a returning
crewman. Spread via perspiration, the sickness causes the crew to lose
their inhibitions and start acting out their deepest fantasies. Sulu becomes
a swashbuckling swordsman, Chapel bubbles over with her love for Spock,
while Spock breaks down in tears at the injustice of having to hold his
emotions in check all the time. Meanwhile, the ship is about to burn up
in a planet's atmosphere while things are falling apart aboard her.
Volume 4: "Charlie X" and "Balance of Terror"
"Charlie X"
(first season) is the story of a teenager raised by aliens who comes aboard
the Enterprise and is faced with learning how to be human. Unfortunately,
he's at the stage of life in which his hormones are running amok and this,
coupled with the fact that he now possesses some strange and potentially-deady
powers, leads to lots of angst and plenty of action. Charlie sets his
sights on Yeoman Rand, who has no interest in him, and Kirk has to play
father surrogate to get the youth under control.
Balance of Terror
(first season) introduces the Romulan Empire as portrayed by Mark (Sarek)
Lenard. He's a Romulan Captain sent to do some smash and grab raids on
Federation outposts along the Neutral Zone. A dandy episode, it revolves
around both Captains' strategies, their duties to their respective civilizations,
and their growing respect for each others' abilities.
Volume 5: "What Are Little Girls Made of?" and "Dagger
of the Mind"
What Are Little
Girls Made of? (first season). Not sugar and spice, but circuits and
wires and stuff. The Enterprise is sent to find out what happened to Dr.
Roger Korby, who also happens to be an old flame of Nurse Chapel. Well,
they find out: he's living underground on a frozen planet and creating
an android race he hope will populate the Federation. Nice idea, except
that Corby isn't all that he seems to be...
Dagger of the
Mind (first season) is a nifty yarn about a Federation insane asylum
where the inmates are being treated to a little more than the compassionate
treatment the Federation wants. The facility's assitant, Dr. Simon Van
Gelder, manages to spill the beans and set off alarm bells, but when Kirk
beams down to investigate he finds himself in the hot seat.
Volume 6: "Miri" and "The Conscience of the King"
"Miri" (first
season) isn't one of Star Trek's strongest episodes, but this DVD release
certainly shows the work Paramount put into the series' restoration. The
title character is a pubescent girl living on a twin planet to Earth -
except that only the children have survived a horrible plague unleashed
by scientists trying to find a method of prolonging life. Once the kids
reach puberty the disease catches up with them, turning them into horribly
insane monsters and eventually killing them. Naturally, Kirk and the landing
party contract the disease, and the episode becomes a race against time
as McCoy and Spock try to find a miracle cure.
The Paramount techs have done an especially nice job of using the Dolby
Digital mix in this one. The taunting of the grownups by the offscreen
kids makes good use of the main left and right speakers - and assorted
offscreen noises are also placed very well across the soundstage.
"The Conscience
of the King" (first season) has Kirk and Lt. Kevin Riley as the sole
surviving eyewitnesses who can put the finger on "Kodos the Executioner,"
whom history has judged a butcher for his actions of twenty years previously.
Kodos, whose body was never positively identified, may have reappeared
as Anton Karidian, head of a troupe of Shakespearean actors travelling
the Federation. The episode revolves around Kirk's search for the truth
of the Kodos/Karidian connection and his usual pursuit of the beautiful
woman - who in this case is Karidian's daughter and who has her own closet
skeletons. This episode features a nice scene in which Kirk takes Lenore
to the Enterprise's observation deck from where you can view the stars
on one side, and the shuttle bay from the other. Unfortunately, the show's
low budget prevented us from seeing down into the shuttle bay, but it's
still neat to be given a look at a part of the starship not normally featured.
Volume 7: "The Galileo Seven" and "Court Martial"
"The Galileo Seven"
(first season) recounts Spock's first command - a shuttlecraft with a
crew of seven that crash lands on a barren planet that turns out to be
inhabited by big and mean creatures. He faces a mini-mutiny of his crewmembers,
who don't like his coldly logical way of dealing with their desperate
situation and think he needs a lesson in compassion. Meanwhile, Kirk and
the Enterprise are searching for the Galileo seven, running up against
a deadline at which they must leave to deliver some vital medicine to
a rendezvous point a few days off. In the end, Spock saves them with a
most human display of emotion, which the rest of the regulars won't let
him forget.
"Court Martial"
(first season) sees Kirk accused of losing it in a crisis situation,
resulting in the death of a crewman. The most damning witness against
him is a computer record that clearly shows him "jettisoning the pod"
prematurely. The prosecution, led by yet another of Kirk's old flames,
pounces on this to prove its case and Kirk, his lawyer, and Spock, must
find a way to prove the record was faked if they're to save Kirk's career
and reputation. Court
Martial has a couple of bad dropouts, which are undoubtedly on the source
material, but overall it looks and sounds fabulous. Considering how great
the series looks as a whole, we can easily forgive these dropouts and
they by no means spoiled our enjoyment of the episode.
Volume 8: "The Menagerie"
"The Menagerie"
(first season)
is one of Star Trek's finest moments. Originally planned as a way to gain
a week in the production schedule by using footage from the series' first
pilot episode ("The Cage," later released on video as well), it tells
the tale of Spock's court martial for committing the one crime for which
the Federation has retained the death penalty. Naturally, Spock has a
good reason for doing this: he's trying to offer his former Captain, Christopher
Pike (Jeffrey Hunter) a chance at a satisfying life now that he's been
horribly maimed and disfigured in an accident.
The two part episode uses the earlier footage as a kind of "TV Show in
a TV Show" as the court martial witnesses the earlier events both as part
of Spock's defense and to show his reasoning and justification for taking
things into his own hands. "The Menagerie" won science fiction's Hugo
Award and is among the series' most honored episodes - and thanks to Paramount's
digital treatment it has never looked or sounded better.
Volume 9: "Shore Leave" and "The Squire of Gothos"
"Shore Leave"
(first season) was written by literary sci-fi giant Theodore Sturgeon,
and is a gentle tale about fantasies becoming reality - and how important
it is to think before wishing. The Enterprise crew, worn out from arduous
service, comes across an Earth-like planet that looks tailor made for
a little "R&R," so they start beaming down for some time off. Then
all hell starts breaking loose as strange events and apparitions begin
appearing and wreaking havoc on the crew's peaceful respite. The episode
provides some interesting insight into Kirk's background as he meets his
nemesis from the Academy - a guy named Finnegan who made the young Jim
Kirk's life a living hell during this salad days. He also, not surprisingly,
gets the girl - though this time it's via a blast from his past.
"Shore Leave" has some nice but subtle surround effects remixed from the
original mono: a kind of wind chime noise that emanates gently from the
rear channels.
"The Squire of
Gothos" (first season), is an all-powerful being who lives alone on
an inhospitable planet that just happens to have a pocket of Earth-type
environment on it. Trelane, the self-styled squire (William Campbell,
who'd later be the head Klingon in "The Trouble with Tribbles"), drags
Kirk and associates to the planet and uses his powers to play cruel mind
games on them. Yet there's something strange about this creature who's
so omnipotent, but who can't get the basic details of Earth society right.
Is he a God, a demon, or just a spoiled brat? Trelane foreshadows Jean
Luc Picard's favorite nemesis "Q" from the Star Trek the Next Generation
series.
The theme of absolute power corrupting absolutely is a Star Trek staple
and, though it's handled better in episodes like "Where No Man Has Gone
Before," "Gothos" puts a different spin on it because the entity wielding
the power isn't really corrupt, just immature. It's a fairly lightweight
episode, but enjoyable nonetheless.
Volume 10: "Arena" and "The Alternative Factor"
"Arena"(First Season) is a "Star Trek-ized" adaptation
of the much superior Frederick Brown short story in which a human space
pilot is pitted one-on-one against a spherical alien for the survival
of their entire races. In the "Trek" version, Kirk and the Enterprise
come under attack while investigating the destruction of a Starfleet base.
They take off in pursuit of the invaders, only to invade the space of
the Metrons - yet another omnipotent race. The Metrons will have no truck
(or star ship) with warring factions messing up their corner of the universe,
so they put Kirk and the invading Gorn leader onto a relatively barren
planetoid to fight it out.
While not as good as the original story, it's still a pretty good "Trek"
episode and the Dolby Digital remix has some wonderful surround effects
as the Gorns lob missile after missile at Kirk and his Away Team. The
missiles sound like they're launched from the rear left of the home theater,
fly overhead, and explode on the planet surface on the TV screen. A remarkable
re-mix from an old Mono soundtrack!
"The Alternative
Factor" (First Season) also has some great audio effects that come
courtesy of the remastering/remixing. Otherwise, however, it's arguably
the first season's weakest episode. The Enterprise finds itself at the
confluence of two parallel, and opposite, universes that are in danger
of wiping each other out - much in the same way that matter and antimatter
are supposed to destroy each other when they come into contact. At the
center of the threat is a mysterious humanoid named Lazarus, who claims
to be fighting an evil monster from the other side. But is he really fighting
a monster - or is he the monster who threatens both universes?
The special effects of the "crossover" from one universe to the other
were always cheesy, and the remarkably clean picture now makes them look
even cheesier, unfortunately. This section, however, is also where the
nifty audio effects come, so at least Paramount gave us something about
which to cheer while wincing at the visual effects. And to be fair, all
of these remastered episodes, while displaying the series' warts plainly,
also make us applaud the remarkable imagination and dedication that allowed
them to do so much with such few resources.
Volume 11: "Tomorrow is Yesterday" and "The Return
of the Archons"
Tomorrow is Yesterday(First
Season) is Star Trek's first trip back in time. The Enterprise is shot
backwards, to 1960's USA, and spied as a UFO by the US military. They
scramble a jet to intercept the UFO, but it breaks up during the pursuit,
forcing the Enterprise to beam the pilot aboard to save his life. Then
they're faced wit the dilemma of how to get him back without causing paradoxes
in time that could destroy their future present.
The Return of the
Archons (First Season) sees the Enterprise crew being threated by
group mind control. They beam down to Beta III to find out what happened
to the USS Archon, which visited there a hundred years before. Well, they
find out! The planet is now populated by blissfully serene and unaware
disciples of Landru, an all powerful "diety" that absorbs all people into
"the Body." Guess who are next in line for absorption?
Volume 12: "A Taste of Armageddon" and "Space Seed"
A Taste of Armageddon(First
Season) brings the horrors of war to a solar system that has made war
clean and almost painless.
When the Enterprise approaches Eminiar VII, all seems calm until the residents
inform the ship that it has been labeled a casualty and orders the crew
down to the planet for diposition. Naturally, Kirk isn't going to stand
still for this, so once again he violates the Prime Directive, taking
their war from a computer controlled simulation to a real, live shooting
war that leaves the natives with only one choice: fight for real and die
horribly, or make peace.
Space Seed
(First Season) was the episode that introduced Khan, the villian of Star
Trek II - The Wrath of Kahn.
The Enterprise comes across the derelict SS Botany Bay, which still carries
a cargo of sleeping humans. These people turn out to be supermen genetically
engineered in the late 20th century, led by Khan Noonian Singh - a despot
whose movement to bring order to humanity caused a great war in his original
life. Now he sets his sights on the Enterprise as his tool of conquest
of the Federation.
Volume 13: "This Side of Paradise" and "The Devil
in the Dark"
"This Side of Paradise"(First
Season) is a tale of paradise lost. This time, however, humanity (and
Vulcans, of course) isn't thrown out of paradise; as Kirk notes at the
episode's end, leaving paradise was voluntary.
The Enterprise arrives at Omicron Ceti III to search for survivors of
a colony that had the misfortune to be created on a planet bombarded by
deadly rays. To the crew's surprise, however, not only is everyone alive
and well, but they're physically perfect. Kirk smells a rat, but unfortunately
his crew comes under the influence of the strange force keeping the colonists
alive, and he's left to fight the battle on his own.
The episode features some nice scenes of Nimoy's Spock, free of his Vulcan
mask and able to let his emotions flow, and there are some humorous scenes
as well. In all, it's a pretty good entry into the series, but not one
of the real powerhouses.
The picture doesn't seem as clean as on some of the other original series
episodes, but it's still far better than you'd expect from VHS or laserdisc.
Audio quality is as we've come to expect from this DVD series.
"The Devil in the
Dark" (First Season) is a charming - and politically correct before
there was political correctness - story about how misunderstanding can
cause conflict between people (or in this case, species).
The Enterprise is called to a mining colony that's been the scene of several
grisly murders. During the course of their investigation, Kirk and Spock
discover a previously-unknown Silicon-based life form that has been killing
the miners. The episode includes McCoy's great line "I'm a doctor, not
a brick layer." Full of the usual Star Trek plot holes (like "what happens
when the Horta have tunneled everywhere?") that only spoil the episode
if you stop to think about them.
It's a good episode, written by series producer Gene Coon. Picture and
sound quality are up to snuff, though the high resolution reveals the
scary Horta as looking basically like a foam rubber carpet. This was NBC's
fault in 1967, however, for giving the series such a low budget. On the
whole, the producers did one heck of a job with what they had.
Volume 14: "Errand of Mercy" and "The City on the
Edge of Forever"
"Errand of Mercy"(First
Season) is a our introduction to "those Klingon bastards," and it's a
good one.
The Federation, on the brink of war with the Klingon Empire, sends the
Enterprise to the strategically important planet of Organia in order to
befriend the natives and prevent a Klingon takeover. It doesn't work,
of course, and Kirk and Spock find themselves stranded on this planet
of apparently sheeplike aliens as the Klingon Commander Kor (the late
John Colicos) takes over as military governor.
Kirk and Spock try to teach the natives to fight back, but to no avail.
In the end, both sides discover the Organians aren't what they appear,
and there's a delicious scene in which Kor and Kirk are both arguing in
favor of waging war - much to Kirk's chagrin.
Picture and sound, as with the rest of this DVD series, are terrific.
"The City on the
Edge of Forever" (First Season) is the Hugo-winning tale of James
Kirk and Edith Keeler (Joan Collins) and Kirk's heartbreaking choice for
her future.
Credited to famed Sci-Fi egotist Harlan Ellison, who we understand was
mighty upset that his words were rewritten, the story revolves around
Kirk and Spock's trip back to depression-era New York via a time portal.
They have to undo whatever damage McCoy did to the past while in a medicine
overdose-induced state - damage that has caused the Star Trek present
to cease to be. Kirk and Spock discover that Edith Keeler is at the confluence
of time, and their actions regarding her ultimate fate may determine their
own ultimate fates and those of their entire "reality."
It's a funny and sad story, and despite Ellison's angst it really is an
example of Star Trek at its best. Naturally, the digital magic given the
DVD by Paramount adds to your enjoyment of this classic episode.
Volume 15: "Operation-Annihilate!" and "Catspaw"
"Operation-Annihilate!"(First Season) is "Star
Trek's" version of Robert A. Heinlein's "The Puppet Masters. It has the
Enterprise arriving at the Deneva colony (where Kirk's brother and his
family live), only to find it has been taken over by a parasitical alien
life form that bends other races to its wishes.
Spock gets infected, but since he's half Vulcan he manages to control
the beast within and goes back to work trying to solve the mystery of
how to kill the aliens without harming the hosts.
Much to the viewer's surprise, we're sure, they figure it out and all's
well that ends well. There's a bit of an "aw, gee" involving Spock's miraculous
recovery at the end of the episode, but it's still typically and conveniently
"Star Trek."
Audio and video quality, as with most of the rest of this DVD series,
are absolutely wonderful.
"Catspaw" (Second Season) was written by Hugo
Award-winning writer Robert (Psycho) Bloch, and is a fitting Halloween
episode of the series.
The Enterprise is captured by apparently omnipotent aliens who turn some
of the crew into zombies to do their bidding. There's magic, black cats,
familiars, and voodoo on tap.
This episode shows the downside of Paramount's terrific digital remastering
and restoration, because at the end, when the true form of the aliens
is revealed, you can clearly see the the black strings holding up what
are plainly marionettes.
Oh, well. That's what we get for wanting perfection...
Other than that, the audio/video quality are up to the series terrific
new standard.
Volume 16: "Metamorphosis" and "Friday's Child"
"Metamorphosis"(Second Season) is a warmhearted
tale of love and the lengths to which some life forms will go to experience
it.
While ferrying a Federation commissioner (Elinor Donahue) to the Enterprise
via Shuttlecraft, they're apparently attacked by a mysterious cloud that
takes them to a strange planet inhabited, it turns out, by Zefrem Cochrane.
He's the guy who invented the warp drive in "Star Trek: First Contact,"
the best of the "Next Generation" movies to date - except in that movie
he's on Earth and in "Metamorphosis" they say he was from Alpha Centauri.
Go Figure.
Don't let that spoil your enjoyment of the story, though. It turns out
that cloud is actually a living creature, which Cochrane calls "The Companion"
who's been protecting and providing for him for a couple of hundred years.
Ah, love, it makes the universe go 'round...
Picture and sound, as usual, are first rate.
"Friday's Child"
(Second Season)
Another Kingon episode, this one has Kirk and a landing party caught up
in extraterrestrial relations. They're trying to negotiate a treaty, but
when Kirk saves the life of the planet's leader's wife, he unknowingly
has broken a taboo and given an opening to the Klingons for them to pursue
the negotiations. Kirk, Spock, and McCoy go on the lam, while the Enterprise
leaves orbit and heads out on a wild goose chase staged by the Klingons.
Not one of the series' best episodes, it does let us see McCoy with his
most crusty - yet perhaps most effective - bedside manner. "Ootchee Wootchee
Kootchee Koo?"
Volume 17: "Who Mourns for Adonis" and "Amok Time"
"Who Mourns for
Adonis"(Second Season) finds the Enterprise accosted in space by an
apparition that resembles a giant hand - almost like "a hand of God."
Funny enough, it is a hand of God - the God Apollo, no less. He's the
last of the line of ancient superbeings and now, lonely, he wants humans
to once again worship him and tend his flocks.
Humanity has no use for Gods any more, though, now that the great God
of Science has made the old style Gods obsolete. This doesn't sit well
with Apollo who, in typical ancient God tradition, is full of bluster,
lightning, and to do when people don't bow down before him any more.
In order to escape, Kirk and his captive crew must destroy Apollo, regrettably.
Picture and sound quality aren't as good as on some of these discs, but
on the whole it's still a first rate presentation.
"Amok Time"
(Second Season)
Another episode written by science fiction giant Theodore Sturgeon, "Amok
Time" deals with the downside of Vulcan logic. It turns out, after Spock
takes a decidedly looney turn while on duty aboard the Enterprise, that
his race pays a price for its absolute control of its emotions. Periodically,
Vulcan males find their veneer of logic stripped from them, and they become
emotional basked cases, forced to return home to Vulcan to "spawn."
Spock, it turns out, has a financee waiting for him on Vulcan, and he
must go be wed. Unfortunately, she has other things in mind and has hatched
a scheme by which Kirk must fight Spock to the death so the First Officer
can win the hand of the woman who doesn't want him.
Audio and video quality are very good on this episode. Vulcan does, indeed,
look hot!
Volume 18: "The Doomsday Machine" and "Wolf in the
Fold"
"The Doomsday Machine"(Second
Season) introduces us to Commodore Matt Decker (William Windom), whose
son gets heaved from the center seat in "Star Trek - The Motion Picture."
Decker was commanding the USS Constellation when it had a runin with the
title object, a galaxy-roaming droid that digests planets for fuel. The
Constellation and her crew came up with the short end of the stick in
that encounter, and is now derelict in space.
Obsessed with destroying the planet killer, Decker takes control of the
Enterprise while Kirk's on the Constellation and sends it into battle
with the huge robot. Will Kirk and crew manage to prevail and destroy
the planet killer before Decker destroys their ship?
A pretty good episode, penned by Scifi author Norman Spinrad, the DVD
isn't up to the standards of most other ones in this series. Picture quality's
pretty good, but softer than other episodes.
"Wolf in the Fold"
(Second Season) asks "What if Jack the Ripper were really a non-human
entity that headed out into space with the human race to wreak its horror
across the Federation.
Written by Robert Bloch, we see Scotty accused of the horribly violent
stabbing deaths of an increasing number of Argelian women. Scotty doesn't
remember if he did it or not, so can't clear himself. The episode is mostly
courtroom drama, with some funny moments involving the Enterprise crew
getting stoned on some sedative in order to prevent the entity from invading
their bodies. John Fiedler, a high pitched voiced character actor, makes
an interesting bad guy. His mousy exterior and milquetoast delivery make
it surprising when we find out his true identity - unless you've seen
the episode a few times (as most fans undoubtedly have).
As with "Doomsday Machine," the picture quality isn't up to the high standards
of other ST-TOS DVD's, nor is the audio - but it's still pretty good.
Volume 19: "The Changeling" and "The Apple"
The Changeling
(Second Season) is basically the same story as inflicted upon us in
"Star Trek-the Motion Picture," without the big budget. In deep space,
the Enterprise encounters Nomad, a space probe launched from Earth a couple
of hundred years earlier. The only problem is that Nomad has changed since
its launch; an accident destroyed most of its original programming, and
an encounter - and melding - with an alien probe has changed its mission
so that, instead of looking for new life forms, it's looking for perfect
life forms and exterminating those it deems as less than perfect.
Well, you can just guess what it thinks about poor, imperfect humans.
Fortunately, Nomad also thinks Kirk is its mother, in the form of Nomad's
inventor Jackson Roykirk. This gives Kirk and the crew the time they need
to figure things out and out-logic Nomad's computer brain. In many ways,
the story is superior to "ST-TMP," but the production values are obviously
greatly inferior.
Still, the audio and video are as top notch as we've come to expect with
this series, so it's a good view regardless of the warts inflicted by
the series' low budget.
The Apple (second
season) features yet another blatant violation of the Prime Directive,
but it's supposedly made necessary in order to save the Enterprise. Kirk
and a landing party are on an apparent paradise, though one that can turn
deadly if you don't watch where your step. They come across a race, the
"Children of Vaal," who are in arrested development, living merely to
provide nourishment for their God Vaal.
This Vaal is actually a machine that's part planetary defense mechanism
and part, well, plot device. As a planetary defense mechanim, it's bringing
the Enterprise downward so that, if Scotty can't figure out some solution
worthy of a miracle worker, it'll burn up in the planet's atmosphere.
To save the ship Kirk has Scott phaser Vaal out of existence, which throws
the planet's society onto its own resources, and a very uncertain (but
free) future.
The video quality is generally excellent, though there are some dropouts
that look as if they hearken back to the original film source. Paramount
has also added some nice surround sound effects, either the pastoral-like
sounds of the planet at rest, or the thunder and lightening Vaal uses
to show his displeasure.
Volume 20: "Mirror, Mirror" and "The Deadly Years"
Mirror, Mirror
(Second Season) is a neat yarn that sees Kirk, McCoy, and Uhura transported
into a topsy turvy parallel universe where the Federation looks more like
the Klingon Empire than the benevolent and politcally correct organization
we all know and love. In this time and space frame, promotion comes from
assassination, and Kirk has risen to the top of his profession by being
the most ruthless dude around. Naturally, the real Enterprise crew don't
think too much of this and want to get home ASAP.
The "not Spock" is particularly interesting, in that he has all of the
real Spock's logic, yet seems to fit seamlessly into the savage scenario
in which he finds himself. Still, he's Spock to a "T," and uses his Vulcan
logic to figure out what's going on and then to help Kirk et al get back
home so he can get his "real" Captain back.
Video and audio quality are up to the standards of Paramount's remastering.
The overall quality of the second season doesn't seem quite as good as
the first, but it's still first rate on the whole.
The Deadly Years
(second season) sees Kirk and a landing party infected by an unknown disease
that causes them to age extremely rapidly, shortening their life spans
to a mere matter of days. As McCoy and the medical team try to find a
cure, the Enterprise comes under attack from the Romulans after a green,
but high ranking, officer takes the ship into the Neutral Zone.
This is a pretty good episode that shows that having a title or some letters
behind your name doesn't necessarily mean you know anything, something
college grads should keep in mind.
The high quality of the video remastering actually works against this
episode a bit, because the old age makeup comes off looking a tad hokey,
especially on Shatner. Still, it also showcases the hard work and imagination
of the makeup team, who had to pull off the aging with a small budget
and very limited time.
Volume 21: "I, Mudd" and "The Trouble With Tribbles"
I, Mudd(Second
Season) is kind of a sequel to "Mudd's Women." The Enterprise is abducted
by a high tech android and diverted to an uncharted planet that, as it
turns out, just happens to be populated by androids and ruled by Harcourt
Fenton Mudd. He's bored with his paradise and wants to maroon the Enterprise's
crew there so he can take their ship and go planet hopping with wild abandon.
One of the series funnier episodes, it gives most of the regulars something
to do, which is nice for a change.
Video and audio quality are excellent.
The Trouble With
Tribbles (second season) is one of Star Trek's most loved episodes.
It was also writer David Gerrold's first professional sale.
This comedy episode sees Kirk et al, Federation bureaucrats, and the Klingons
all at each other's figurative throats over Sherman's Planet, and a shipment
of grain bound for the strategic world.
If you think Star Trek is just space adventure, or cerebral mind food,
you haven't seen "The Trouble with Tribbles."
Audio and video are, as usual, easily up to snuff.
Volume 22: "Bread and Circuses" and "Journey to Babel"
Bread and Circuses(Second
Season) pits Kirk against a modern day Roman empire. The Enterprise discovers
the wreckage of the starship Beagle and, upon beaming down to the nearby
planet to investigate, the landing party soon finds itself in the arena
fighting for its life. Good interplay between the characters (including
a bit of McCoy/Spock dialogue Paramount says it usually cut from the syndicated
episodes) and a nice take on how humans make life or death decisions based
on the choices facing them.
A bit of Christian reference in the episode is interesting considering
how secular television has become since the 1960's.
Video and audio quality are top notch. Not a lot of suround here, as usual,
but that's okay.
Journey to Babel
(second season) is kind of a coming of age episode for Spock.
The Enterprise is tasked with ferrying a bunch of Federation diplomats
to an important summit on Babel. Among the delegates on this highly charged
trip is Sarek, Vulcan Ambassador and Spock's estranged father.
Between sickness and attempts on his life - and a suicide mission intruder
on the outside, Spock is forced to choose between family duty and his
commitment to Star Fleet in this entertaining look inside the Vulcan mind.
Video and audio quality, as usual, show the low budget (especially, in
this episode, with the makeup), but that somehow adds to the charm of
the series and the respect for the creators who did a lot with a little.
Volume 23: "A Private Little War" and "The Gamesters
of Triskelion"
A Private Little
War(Second Season) sees Kirk and company messing around with the Prime
Directive again, this time to restore the balance of power on a developing
planet.
It seems the Klingons have been arming one faction on the planet and not
the other, in order to gain favor and advance the Klingon Empire when
their allies take over the planet.
Kirk, who visited the planet some 13 years before, gets attacked by a
Mugato (a strange, pointy headed creature) and must submit to the ministrations
of his friend's wife, a witch, a save him. That puts him under her spell
- and she wants the Federation to start giving her side weapons as well.
How will Kirk balance the Prime Directive with what's right - and what
he's forced to do?
Video and audio quality are up to their usual standards here though, as
with most of the episodes, there isn't a lot of suround effects. Any surround
effects are bonuses, though!
The Gamesters of
Triskelion (second season) are a trio of disembodied things who live
to gamble.
Kirk, Uhura, and Chekov are intercepted while transporting down to a planet
and find themselves on Triskelion, where they are to be trained as thralls
- gladiator slaves who fight for the amusement of the "providers."
Understandably upset over their new fate, the Enterprise trio do all they
can to resist, while the crew of their starship searches far and wide
across the galaxy for clues as to what happened to Kirk and company.
Eventually, the Enterprise tracks them down, only to find the crew pawns
in a high stakes gamble between Kirk and the "providers." A neat episode
in all.
Video and audio quality are up to the usual top notch standards.
Volume 24: "Obsession" and "The Immunity Syndrome"
Obsession(Second Season). When is a starship commander
using intuition, as opposed to allowing his own feelings to color his
command judgment? That's the theme of this episode.
A landing party comes into deadly contact with a strange, sickly sweet-smelling
cloud that drains humans of all their red corpuscles, setting off alarm
bells in Kirks mind.
The incident reminds him of a case from his own past when, as a young
Lieutenant, he came into contact with a similar cloud - but that was on
the other side of the galaxy, which means that if this is the same deadly
creature it's capable of space travel and could therefore wreak all kinds
of havoc on civiliztion. Kirk must battle his own demons, as well as the
clock and the doubts of his closest friends, as he tries to figure out
if he's right or if he's risking everything on a wild goose chase.
Video and audio quality are excellent as usual.
The Immunity Syndrome
(second season) is billed as featuring some of the series' best special
effects.
When a Vulcan ship and several star systems are destroyed, the Enterprise
investigates only to find a huge area of black void in space - at the
center of which is a gigantic, single cell being that's causing all the
destruction.
As if that isn't bad enough, the 11,000 mile wide 'amoeba' appears to
have stored enough energy to reproduce, meaning that instead of there
only being one of these virus invading the galaxy, there'll be a whole
"race" of them.
What to do? Spock gears himself up for the ultimate sacrifice in order
to avenge the dead Vulcan crew and save the Enterprise and civilization
as we know it. Will he die? Hint: he's a regular!
Video and audio quality are very good, and the effects of the giant germ
are very good, as advertised.
Volume 25: "A Piece of the Action" and "By Any Other
Name"
A Piece of the
Action(Second Season). With "The Trouble with Tribbles," this is one
of Star Trek's funniest episodes.
The planet Iotia, visited 100 years previously by the U.S.S. Horizon,
is due for a re-visit from the Enterprise and, much to their chagrin,
they discover a society that has made leaps and bounds since the first
contact - but leaps and bounds in a very strange direction.
It seems that due to some kind of contamination from the earlier starship,
the Iotians (an imitative people) have set up an entire society inspired
by the Chicago gangsters of Old Earth's 1920's. The Enterprise crew finds
themselves at the business end of their machine guns as big crime boss
Bela Oxmyx decides to use the Enterprise's high tech weapons to perform
hits on his competing bosses, taking over the entire planet.
Lots of laughs, with excellent video and audio quality.
By Any Other Name
(second season) features "Forbidden Planet's" Warren Stevens as the leader
of a band of invaders from the Andromeda galaxy.
Their planet is dying and they've entered the Milky Way galaxy looking
for planets to conquer - but the energy barrier at the edge of the galaxy
destroyed their ship and they crash landed on the planet where the Enterprise
finds them.
Their superior technology allows them to take over the Federation ship
and, as they reduce the crew down to the size of little sponges, they
prepare the ship for the long trip back to Andromeda to tell their people
of their good luck.
Another good episode from an inconsistent second season.
Features the usual wonderfully restored and remastered video and audio.
Volume 26: "Return to Tomorrow" and "Patterns of
Force"
Return to Tomorrow(Second
Season). Kirk, Spock, and Dr. Ann Mulhall (Diana Muldaur, a familiar Star
Trek guest star) lend their bodies to three super alien consciousnesses
so they can build themselves new android bodies.
Sargon, his wife Thalassa, and their former enemy Henoch have been waiting
for half a million years for someone to come along who can help them and,
wouldn't you know, the first people to happen by are the crew of the Enterprise.
The request to borrow the bodies is benign enough, though the two human
bodies require constant monitoring and attention lest they burn up from
the increased metabolism of the aliens.
All goes well until Henoch, the alien inhabiting Spock decides he likes
being half Vulcan and decides to keep the body - and convinces Thalassa
to join him.
How can Kirk, Spock, and Dr. Mulhall get their bodies back? And since
Mulhall is a guest star, will she live through the episode?
A heartwarming story, featuring the series new trademarked audio and video
quality.
Patterns of Force
(second season) is set on the planet Ekos, where scholar John Gill has
been observing the dominant race there.
Unfortunately, when the Enterprise arrives to check things out, it's attacked
by a nuclear missile - something the Ekosians shouldn't be able to develop
yet.
It gets worse: it turns out the planet is dominated by next generation
Nazis, as Gill's experiment in efficient government has gone awry and
spawned instead a horrible, totalitarian society that's waging a war of
hatred on its neighbors and anyone who stands in their way.
Rather predictable, and they kind of beat you over the head with things,
but enjoyable nonetheless. And watch for a forerunner to today's plasma
televisions thanks to the Nazis' big screen TV's.
Video and audio quality are excellent.
Volume 27: "The Ultimate Computer" and "The Omega
Glory"
The Ultimate Computer(Second
Season). Can a computer replace a starship crew, running the ship more
efficiently (and cheaper) than humans can?
That's the premise behind this episode, which sees the M5 computer plugged
into the Enterprise and booted up to take the ship through some war games
maneuvers. Naturally, things go horribly wrong and the M5 not only goes
completely out of control, but learns how to defend itself as well. Can
you say "HAL 9000?"
The episode's pretty good, as Kirk is forced to confront his own obsolescence
in the name of "progress," and we're shown that regardless of how good
technology gets, it's the humans who need to remain in charge. Kirk also
shows that he's no slouch when it comes to "out-logicaling" a computer.
As with most of the last few episodes of the Second season, and most of
the third, it's laid on a tad thick, but on the whole it's a pretty enjoyable
episode, with excellent picture and sound quality.
The Omega Glory
(second season) really beats you over the head with its 1960's, cold war
liberalism.
Gene Roddenberry is credited with writing this episode, in which Kirk,
Spock, and McCoy find themselves locked in mortal combat with a misguided
and renegade starship captain (Morgan Woodward) who thinks he has discovered
a fountain of youth on the planet.
What we have instead is a heavy handed parable of Yankees versus Communists,
in which the commies won 'way back in prehistory and the rag tag remnants
of that planet's America are forced to live nomadic lives in the countryside.
Not one of Star Trek's finer moments, the action and adventure take a
back seat to preachy speechmaking on the benefits of US-style democracy
where, while the message is fine, the venue (Star Trek) is all wrong.
Fortunately, the picture and sound quality are up to this series' first
rate standards.
Volume 28: "Assignment: Earth" and "Spectre of the
Gun"
Assignment: Earth(Second
Season). This was actually the pilot episode for an unsold Gene Roddenberry
Star Trek spinoff.
Gary Seven is a human who was raised on an advanced alien planet. He shows
up in the Enterprise's transporter room while being sent to 1960's Earth
to, well, we don't know exactly what he's there to do. He claims to be
working to save humanity, but he could just as easily be working to destroy
it - and therein lies Kirk's conundrum: does he let Seven go and finish
his job, thereby possibly ending the future of humanity of which the Enterprise
crew and all they know no longer exist, or does he prevent Seven from
doing his duty - possibly ending the very same future?
The episode is most remarkable for the appearance of a very young Teri
Garr (Terri in the credits) in a humorous guest role as Seven's secretary.
Audio and video quality are very good, and there's some decent surround
sound in this one.
Spectre of the
Gun (third season) mixes legends of the old west with the high tech
Enterprise as Kirk, McCoy, Spock, and Chekov are forced to reenact the
battle of the OK corral. It seems the Enterprise, while trying to make
peaceful contact with the Melkotians, has rubbed this alien race the wrong
way, and they decide to put Kirk to death by pulling the OK corral episode
from his brain.
Kirk and the landing party play the Clanton gang, who are scheduled to
be gunned down in cold blood by the nasty Earp crew who control the town
of Tombstone. What can they do to ensure that history doesn't repeat itself
on the far off planet of Melkot?
A heavy handed episode that indicates just how much out of steam the original
Star Trek series was getting. What's next? An episode in which they have
to act out "Lost in Space?"
The usual excellent audio and video are on tap here, fortunately.
Volume 29: "Elaan of Troyius" and "The Paradise Syndrome"
Elaan of Troyius(Third
Season). Heavy handed, but at least Kirk gets laid again.
Star Fleet orders the Enterprise to transport envoys from warring planets
- the lovely but obnoxious Dohlman of Elas and the ambassador from the
opposing planet of Troyius. The Dohlman is to marry the head of Troyius,
bringing an end to the war between the planets, but she doesn't want any
part of it and does her best to scuttle the mission even before she gets
to Troyius.
Kirk is forced to act as Henry Higgins to her Eliza Doolittle and prepare
her for civilized society and her duty to marry a man she doesn't love,
despite the fact that they fall in love with each other.
Meanwhile, the Klingons are determined to scuttle the mission themselves,
for their own particular reasons.
Excellent audio and video quality, with some neat surround effects.
The Paradise Syndrome
(third season) sees Kirk lose his memory while on an idyllic planet surveying
the place in preparation for the Enterprise deflecting an asteroid away
from the planet before it slams to the earth.
Kirk emerges from a large obelisk that has religious significance to the
band of North American aboriginal-compatibles who inhabit the planet.
They mistake him for a god, much to the chagrin of the tribe's medicine
man.
Meanwhile, the Enterprise is forced to spend weeks travelling at sublight
speeds, just ahead of the asteroid, before it can return to the planet
to find out what the heck happened to Kirk, who in the meantime has fallen
in love with, married, and impregnated the beautiful Miramanee.
Heartwarming, but predictable - and what an unhappy coincidence that the
series of tones that opens the obelisk just happens to be "Kirk to Enterprise."
Great picture and sound; the third season may be (well, is) the weakest
as far as episodes goes, but the DVD's so far are great!
Volume 30: "The Enterprise Incident" and "And the
Children Shall Lead"
The Enterprise
Incident(Third Season). Kirk appears to have succumbed to the pressures
of command and orders the Enterprise through the Neutral Zone and into
Romulan space, where it's captured by a small fleet of Romulan/Klingon
vessels.
The Romulan commander, who wants the Enterprise as a trophy to take back
with her, starts courting Spock, trying to get him to defect to the Romulan
Empire with promises of a command of his own - and her in the bargain.
It turns out the Enterprise is there for a very good reason, however,
and Kirk and Spock are working in cahoots in order to, well, you'll just
have to watch this episode to see for yourself. One of the best of the
third season episodes.
Audio and video quality are excellent, and there are some great shots
of the spaceships in action that look particularly good on a big screen.
And the Children
Shall Lead (third season) All the adults of the Triacus colony appear
to have committed suicide, leaving their children behind. The kids, however,
are happy little tykes who display no sorrow for the loss of their families.
This sets off alarm bells for Kirk, McCoy and the gang, who eventually
discover that an alien life form is using the kids for its own nefarious
ends.
Not surprisingly, the alien uses the kids to commandeer the Enterprise
and all Hell breaks loose as the ship's crew begins suffering from the
same anxiety attacks that took the lives of the adults on Triacus.
Attorney Melvin Belli, for some reason, was cast as the evil alien creature.
He's fine, fortunately.
The audio and video are up to the DVD series' standards, which is nice.
If only the writing were....
Volume 31: "Spock's Brain" and "Is There in Truth
No Beauty?"
Spock's Brain
(third season) sees the Enterprise invaded by a strange female who, once
the lights have come back on, appears to have made off with Spock's Brain,
leaving his body intact on the Enterprise. Kirk and his landing party,
including McCoy and a remote controlled Spock's body, discover a planet
from which the woman originated.
Following her there, they come upon an underground civilization run by
females, but controlled by a super computer whose CPU now happens to be:
Spock's Brain! They have to recapture Spock's brain and put it back into
his body before time runs out.
Not one of the most inspiring of the Star Trek episodes, and definitely
an indication of why the series was probably right to have been cancelled
after the third season. Picture and sound, however, are as excellent as
we've come to expect from this remastered series.
Is There in Truth
No Beauty? (third season). Kirk and the Enterprise are assigned to
transport the Medusan ambassador (subtle, eh?) and two humans: telepathic
Dr. Miranda Jones (the ubiquitous Diana Muldaur) and the scientist who
loves her, Lawrence Marvick. Dr. Jones is going to become the Medusan
ambassador, despite the fact that humans who lay eyes on the horribly
ugly Medusans go immediately and horribly insane. She can get around it,
supposedly because she was schooled on Vulcan, and everyone knows Vulcans
can do just about anything required of a Star Trek Episode.
It's really a story about prejudice, about ego and the things that drive
people and other than the obvious and heavy handed Medusa parallels it
isn't that bad an episode.
Audio and video quality are first rate, but that isn't surprising.
Volume 32: "The Empath" and "The Tholian Web"
The Empath
(third season). Kirk, Spock, and McCoy are kidnapped by an alien race,
the Vians, and put through all manner of tortures designed, they think,
to entertain their captors. They're human guinea pigs, watched over by
the aliens and a mute humanoid McCoy names Gem. She's an empath, who can
take the injuries of another being onto herself, healing the victim at
the expense of her own well being.
It turns out that it's really Gem who's on trial, not the Enterprise guys,
as the Vians determine to pass judgement on her race as it faces destruction
from an outside natural source.
Pretty weak, though Kathryn Hays as Gem makes you want her to be empathic
to you, even if you don't have any injuries.
The video quality is bright and sharp, though once again the high resolution
shows just how cheesy the effects of the original series were. Audio quality
is also first rate, which is only to be expected.
The Tholian Web
(third season). One of the more interesting Third Season episodes, this
one sees the Enterprise in a strange, deteriorating section of space.
They come across the derelict star ship Defiant, which is adrift and about
to slide through a hole in their reality.
On the Defiant, Kirk and the landing party discover that everyone there
went nuts and killed each other - and then the same thing starts on the
Enterprise.
Kirk is marooned on the Defiant when the transporter doesn't let the whole
landing party beam back, and is subsequently lost in the interphase between
the universes. Lost to the Enterprise, this forces Spock to take command
over the objections of McCoy, and there's some good conflict between the
two co stars.
The video quality is very good, and the Tholians, their ships, and their
web look really neat. The audio quality up to the standards set by Paramount
for this series as well.
Volume 33: "For the World is Hollow
and I Have Touched the Sky" and "Day of the Dove"
For the World is
Hollow and I Have Touched the Sky (third season). Long title, short
on logic? Maybe, but this is really not a bad episode, in which McCoy
diagnoses himself with a terminal disease and gives himself a year to
live.
Meanwhile, the Enterprise comes upon a generation starship, planet Yonada,
which is on a collision course with another astronomical body. Yonada's
population live inside, oblivious to the fact that their world (which
is hollow, not surprisingly), is really a spaceship launched by their
ancestors to take them to a new home.
McCoy falls in love with their high priestess and decides to live out
the rest of his life there, much to Kirk's chargrin (and, undoubtedly,
Spock's delight). Fortunately, the Yonadans ancestors had superior medical
knowledge, and McCoy is cured just in time for the closing credits and
the next episode.
The video quality is very good on this episode, with that unfortuntely
doubled edged sword that the great picture highlights Star Trek's general
cheesiness when it comes to the production values they could mount on
their limited budget. Audio quality is up to the rest of the series' standard,
which is excellent.
Day of the Dove
(third season). A morality tale in which the Enterprise is taken over
by a strange being that gets its energy from hate, conflict and death
(Its name, coincidentally, was Osama bin Laden). An equal number of Enterprise
crew and evil Klingons are armed with swords (the better to hack with
than the relatively clean-killing phaser) and forced to go it to eternity
to feed the alien creature.
Death doesn't even save them; if you're dead, you come back to life to
fight again, kind of like "Night of the Living Dead" without feeding on
the living.
Fortunately, the good guys figure out that good spirits can weaken the
alien and they enlist the reluctant help of the Klingons to have a rip
roarin' good time driving the creature from the Enterprise.
Excellent video and audio quality.
Volume 34: "Plato's Stepchildren"
and "Wink of an Eye"
Plato's Stepchildren
(third season). Absolute power corrputs. The Enterprise is lured to the
planet Platonius, where the leader Parmen is sick and in need of McCoy's
expertise.
These guys have developed telekinetic powers that can not only move object,
but force other beings to do their will, even against their will. They
want McCoy to stay with them, in case of more sickness, and humiliate
Kirk and Spock with their powers in an attempt to force McCoy to stay
of his own accord.
The episode actually stands up rather well. We didn't think much of it
when it first aired, but enjoyed it more thirty some years later. This
is also the famed "first interracial kiss" on US Network TV - as Kirk
and Uhura are forced to kiss. Not sexy, nor romantic, but interracial
- if you care about such things.
Excellent audio and video quality, with bright colors and sharp images.
Wink of an Eye
(third season). Kind of a neat concept, though a tad silly.
The Enterprise is taken over by the few remaining people from the planet
Scalos, beings who look and act human, but who are accelerated so that
the humans appear as status to them, and they are invisible to humans
except for a mosquito-like hum.
The Scalosian queen kidnaps Kirk by accelerating him to their level, intending
to keep him - and eventually the rest of the crew - around as breeding
stock. This rubs Kirk the wrong way (he doesn't mind breeding, of course,
but he doesn't take to being forced into it).
Fortunately, Spock and McCoy figure out the plot and with Kirk's help
they foil the aliens, who aren't really evil but are just desperate to
survive.
The video quality is pristine, as is the audio.
Volume 35: "That Which Survives" and "Let That
Be Your Last Battlefield"
That Which Survives
(third season). Lee Meriwhether guest stars as Losira, a long dead woman
who kills with her touch. Kirk, McCoy, Sulu, and an expendable non-regular
beam down to Losira's planet, then get stuck there when a power surge
throws the Enterprise a thousand light years away. The landing party is
forced to hang on by their fingernails on the unstable planet, avoiding
various nasty deaths including that from Losira, while the Enterprise
crew must cope with a sabotaged ship that could blow up around them. One
of the better third season offerings
Let That Be Your
Last Battlefield (third season). With the subtlety of a sledgehammer,
the Star Trek producers spin a yarn about racial tolerance. Lokai, a half
black fugitive, is beamed aboard the Enterprise followed soon after by
his pursuer Bele (Frank "the Riddler" Gorshin), who's half white. Well,
they're virtually identical, one black on the left side and white on the
other and the other the same in reverse. Yet this difference is enough
to make them hate each other's guts and thereby give the writers and producers
a chance for some heavy handed moralizing.
Not one of Trek's finest moments, despite the noble sentiments.
Volume 36: "Whom Gods Destroy" and "The Mark
of Gideon"
Whom Gods Destroy
(third season). Here's a case where the inmates really do run the asylum.
The Enterprise is delivering a wonder drug to a facility for the criminally
insane, but the fly in this ointment is Garth (That's Lord Garth to you!),
a shapeshifting inmate who has led a revolt and taken over the place.
Garth wants to steal the Enterprise and use it to take over the galaxy,
something we've never heard of before have we?
Anyway, he puts the bag on Kirk and looks almost set to win - but of course
he doesn't. Not bad, but not one of the series' stronger episodes.
The Mark of Gideon
(third season). The Enterprise arrives at planet Gideon, hoping to get
it to join the United Federation of Planets. But when Kirk beams down
to the planet, he discovers himself apparently back on a deserted Enterprise,
his only companion the usually decorative woman guest star. She's Odona,
and despite her name sounding like a deodorant she's there on a mission
we only find out much later. So Kirk must figure out where he is and why,
while on the Enterprise Spock has to figure out the same things - and
the Gideons aren't cooperating. A story of the perils of overpopulation;
not as hamhanded as the racial themes of "Battlefield," but still pretty
obvious.
Volume 37: "The Lights of Zetar"
and "The Cloud Minders"
The Lights of Zetar
(third season). This could be subtitled "Scotty in Love," and isn't it
interesting to see the crusty chief engineer taking an interest in something
besides his technical manuals?
Lt. Mira Romaine, named after lettuce, is on her way to her first deep
space assignment, at the library planet Memory Alpha. An energy "Storm"
destoys all life there (fortunately, before she arrives), then possesses
her and threatens the Enterprise.
One of the more interesting third season outings, especially for its Scotty
subplot. The audio is as good as usual, but the picture wasn't quite up
to the standards Paramount set for this series.
The Cloud Minders
(third season). Yet another morality tale whereby the elite live in a
city floating in the clouds, while the workers toil in the mines below.
Kind of a liberal vision of the world if they ran things, though they'd
never admit it.
The Enterprise goes to the planet Ardana, where cloud city is one of the
galaxy's wonders, to get a shipment of zenite to cure a plauge on a federation
planet. But the workers are upset with their lot in life and hold the
shipment ransom until they're give a more fair lease on life.
Kirk and his cronies must once again violate the Prime Directive and throw
a monkeywrench into the alien society's society in order to fulfill their
mission of mercy.
Good video and audio quality.
Volume 38: "The Way to Eden" and
"Requiem for Methusala"
The Way to Eden
(third season). This episode is excellent evidence that Star Trek had
shot its wad and was just as well cancelled when it was.
A band of interstellar hippies is arrested and brought aboard the Enterprie
to be returned for trial. Among them is an old flame of Chekov who has
shucked her respectable life in Starfleet to become a follower of Doctor
Sevrin (not the jazz band leader!) and his quest to find the idyllic planet
Eden, where everything will be wonderful.
The hippies manage to take over the Enterprise, surprise surprise, and
take it into Romulan space where Eden should be located. Ah, but the apple
of the garden of Eden isn't everything they had imagined...
Excellent audio and video, silly script.
Requiem for Methusala
(third season). Looking for an antidote to a deadly fever that has struck
the Enterprise, Kirk, Spock and McCoy beam down to a planet where such
an antidote, Ryetalin (maybe the fever gave the kids ADD) can be found.
They find something else, too: a human named Flint whose collection of
Earth memorabilia includes authentic works by such geniuses as Da Vinci
and Brahms. He also has a young girl, Rayna, who naturally starts falling
for Kirk - much to Flint's chagrin.
The inevitable battle of wills ensues, as Rayna's and Flint's secrets
are discovered and the Ryetalin is delivered, saving the crew. Unfortunately,
a really dumb ending sees Spock erase Kirk's memory of the events, preventing
the blowhard captain from having a chance to learn from his experiences.
Excellent audio and video on this effort.
Volume 39: "The Savage Curtain" and "All Our
Yesterdays"
The Savage Curtain
(third season) provides a real blast from the past for Kirk and Spock.
They're invited down to a supposedly uninhabitable planet by none other
than Kirk's hero Abraham Lincoln and when they get there are joined by
Spock's hero, who was "the father of modern Vulcan." This team is pitted
by a rock-like creature against another team consisting of "the dark side"
of civililzation in a battle to the death: if Kirk's team loses, the rock
creature Yarnek will destroy the Enterprise.
All Our Yesterdays
(third season) opens with the Enterprise on a mercy mission to save the
residents of planet Sarpeidon before its sun explodes. But there's no
one there except the planet's librarian, a Mr. Atoz, who it turns out
has used a kind of time machine to send the planet's people to safety
in the past. Kirk ends up being sent back accidentally, prompting McCoy
and Spock to go after him, except that they arrive in a past where Spock
is no longer the logical modern Vulcan, but a throwback to his race's
violent past - and he now has his own agenda to push.
Volume 39: "Turnabout Intruder" and "The Cage"
Turnabout Intruder
(third season) was the last of the original series' episodes and, with
it, the show died not with a bang but with a whimper. Dr. Janice Lester,
an angry and bitter woman PO'd about being a woman (a before its time
look at modern feminism) manages to switch bodies with Kirk, thereby taking
over the Enterprise and fulflling her delusions of grandeur. Unfortunately
for her, she's a whacko and when the rest of the crew get to know her
they realize there's something screwy afoot and refuse to follow her orders.
This leads to their being accused of mutiny and sentenced to death. The
series went to the gas chamber with them.
Just kidding...
The Cage. This
was Star Trek's original pilot and except for the parts of it that showed
up in "The Menagerie" was never seen for some thirty years. Paramount's
including it as the windup episode for this DVD series is a welcome bonus,
and they've done a good job of it.
The Cage is the tale of Captain Christopher Pike and his tribulations
at the hands of the Talosians, a decrepit race that controls their and
others' environments by the power of illusion.
A great episode, which probably explains why the network suits didn't
understand it.
Paramount gives us two versions here, a reconstructed one that uses original
black and white footage combined with the color stuff from The Menagerie,
and a "restored" version that's all color, using more recently-discovered
footage that was thought to have been destroyed.
We prefer the all color version, which looks and sounds terrific.
The overall quality
of the third season, when compared with the first season especially, shows
that the show was definitely running out of creative energy. So as hard
as it may be for Trek true believers to swallow, it was probably for the
best that the series was killed after its 79th episode and third season.
Fortunately, the good things about the show lived on, and we now have
a series of movies and a series of series that continue the Star Trek
franchise.
In many ways the original
series was the best; it comes from a more innocent time before political
correctness took over. The best of this series was rarely challenged by
anything that came after, with a few exceptions from Star Trek, the Next
Generation, which is the next series Paramount will release on DVD.
We hope they do as
great a job on it as they did on this series.
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