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The 2.40:1 picture is balanced beautifully, with really nothing for me to complain about (talk about making a reviewer's life difficult!) Fine details look wonderful, including fabrics and textures and even clouds during sunny scenes. Want to see every little mark on Brad Pitt's face? This is your chance!
Allied has a lot of dark scenes, which can pose real challenges in the home theatre, especially if you have issues with ambient lighting. But the UHD treatment gives extra depth and detail even to these sections.
Good black levels are critical in video (the better the blacks, the better everything else looks), and can help give you that 3D-like "pop off the screen" look even with non-3D 1080p Blu-rays. Move that up a level of video wonderfulness and you have the UHD version, which is a joy to watch.
Oddly enough, given the state of the video, Allied's audio isn't offered in Dolby Atmos, the latest and supposedly greatest in home theatre sound (which, I must admit, I have yet to experience so can't comment on other than to say it ain't here). But the DTS-HD Master Audio soundtrack is just fine, though it's a tad front channel-biased.
Oh, there's good use of surround, but you aren't as immersed here as with some other films that seem to throw sounds at you from all over the place. Still channel separation is top notch and the audio is balanced nicely. And you don't miss out on ambience at all, whether it's background voices or gunfire, so while I love a soundtrack that's all over and around me, I can't really complain about the director's choices here. It's all about creating a mood, and Zemeckis is a master.
There's a pretty good selection of extras, too. "From Stage to the Sahara" looks at the production design and how they enhanced their real locations with Zemeckis' typically great CGI (this is the guy, remember, who had the World Trade Centre resurrected for his last film, The Walk). "Lights, Pixels, ACTION! Looks at the digital visual effects more closely, and it's a short but very interesting look.
"Through the Lens" sees cast and crew members singing Zemeckis' praises, while ""A Stitch in Time" looks at the period costumes. "That Swingin' Sound focuses on the score by long-time Zemeckis collaborator Alan Sylvestri, "Til Death Do Us Part" looks at Pitt and Cotillard and their characters, and there are featurettes that focus on other characters and performances, as well as the vintage vehicles (check out the classic old Lysander aircraft in the film!) and the weapons used.
Allied's 4K package also comes with a conventional 1080p Blu-ray and a code for an "Ultraviolet" digital download, so even if you haven't moved to 4K yet but are planning to, the package will make the move with you, painlessly. That's how it should be - and, fortunately, how it really is with the 4K discs I've reviewed so far.
While I kind of miss the more fun Zemeckis films of old, I enjoyed Allied and was pleased to see it given its due in its 4K release. It will never be my favourite Zemeckis film (so far, that's Contact, followed by Roger Rabbit) but it's still a compelling story of love and war and (oops, nearly put in a spoiler!), crafted by a master director.
And if you want to see it at its best, check out this 4K version.
Note: for these reviews, I used Panasonic's 4K TC-55CX850U 55 inch 4K TV coupled with Oppo Digital's UDP-203 player.
Copyright 2017 Jim Bray
TechnoFile.com