Taking Lives on DVD
Taking Lives is just a little bit more than a by-the-numbers whodunit thriller.
Angelina Jolie stars as Illeana Scott, an FBI profiler whos brought in
to tackle a serial killer who has evaded police for over 20 years.
After doing in his victims, the killer then assumes their identity, making
it that much more difficult for the cops to nail him. But Illeana, like every
other movie supercop, has some sort of gift that helps her learn
more about the killer and hopefully bring him down.
She uses sophisticated, if highly unorthodox, methods of detection like lying
in a hole in which a body was found, and meditating (or something). She seems
like your typical Hollywood FBI profiler: brilliant, charismatic, lonely, and
just a wee bit off, and we learn throughout the course of the movie that that
description pretty much fits her to a T.
For the first hour, everything progresses exactly as youd expect. They
find the body, bring in the expert, question witnesses (including Costa, played
brilliantly by Ethan Hawke), and stay a step and a half behind the bad guy until
they have a breakthrough.
Once the breakthrough occurs, it ceases to be a whodunit thriller, and becomes
a know-whodunit, now-need-to-catch-whodunit thriller. But is everything as it
seems?
Is it ever?
Director D.J. Caruso has crafted a tremendously mediocre genre film, but it
gives him a chance to show off his chops, of which he has quite a few. Theres
plenty of suspense, creepy shadows, and some well-done bits of completely unnecessary
violence. It probably would have been a great movie if Seven and The Silence
of the Lambs werent already in the Classics bin.
On the other hand, it does have some things going for it that few movies have
ever accomplished. First of all, Angelina Jolie shows off her naughty bits during
a lengthy, very intriguing sex scene. Second, and equally impressively, there
is a single instance in the film that made me cringe for several seconds. I
call that impressive because, like most people of my generation, Ive been
completely desensitized to violence, especially in movies. Theres even
another instance in which my jaw dropped in sheer disgust.
It was pretty cool.
On the other, other hand, a few things in the movie dont really make
any sense. You think theyll be explained by the end of the movie, but
days later youll still be wondering because they seemed like such integral
parts of the film. And the killers sudden turn into psychosis seems pretty
tacked on, like its only there to show you that this guy is the killer
(which we could probably figure out by the fact that he kills the guy).
But I guess if youre just looking for cheap entertainment, you cant
expect all the pieces of the puzzle to fit together perfectly all of the time.
So if youre looking to see Angelina Jolie naked, or a not-bad-for-what-it-is
kind of movie, Taking Lives should suffice. But if youve seen Seven or
Silence of the Lambs, you may want to see them again instead.
The DVD is presented in 1.85:1 anamorphic widescreen, and the transfer features
great detail, even during the darker scenes. Duller colors come through well,
fleshtones are good, but a few shots look like they completely forgot to do
anything with them.
Theres also some Dolby Digital 5.1 that does a good job of separating
the creepy sound effects. The main speakers handle the big loads like dialogue
and score, and they all share the rest of the responsibility very nicely.
Extras include a series of four documentaries that total (whoop-de-doo) 21
minutes. Titled The Art of Collaboration, Profiling a Director,
Bodies of Evidence, and Puzzle Within a Puzzle, they
all give everyone a chance to praise each other and talk about everything you
dont give a rats arse about.
But watch them after the movie, because they give away pretty much everything.
Theres also a very out of place gag reel thats not really that
funny. And dont forget the trailer.
Taking Lives, from Warner Bros. Home Entertainment
109 minutes, anamorphic widescreen (1.85:1 16x9 enhanced), Dolby Digital 5.1
Starring Angelina Jolie, Ethan Hawke, Kiefer Sutherland, Olivier Martinez, Tcheky
Karyo and Gena Rowlands
Produced by Bernie Goldmann, Mark Canton
Screenplay by Jon Bokenkamp, Directed by D.J. Caruso
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