The Sweetest Thing on DVD
by Jim Bray
From the inspiration of films such as Theres Something
About Mary comes this empty effort thats mostly a paean to bathroom
humor, the superficiality of todays feminine gender (easy for this guy to
say, eh?) and society in general, at least as it pertains to California.
Despite that, the movie and its protagonists yearn for old
fashioned romance and the storyline is basically about the search for it in the
abovementioned setting.
Cameron Diaz and Christina Applegate star, with Selma Blair, as
three free spirited friends, successful in their own right but whose lives are
superficial and empty. They're looking for love in all the wrong places (to
coin a phrase). Jane (Blair) has just broken up with her boyfriend so Christina
(Diaz) and Courtenay (Applegate) drag her out to a night club to dance her
troubles away - or at least to find a willing accomplice for a night of sexual
bouncing back.
But while Jane does meet a man that night (whos gorgeous but
stupid), its Christina who reluctantly gets swept off her feet thanks to
a chance meeting with Peter (Thomas Jane), whos in town for a bachelor
party. Courtenay drags Christina onto a road trip to crash the weekend wedding
for which the bachelor party was held, and thereby unleashes a series of
misadventures that culminate with her fantasy of a relationship with Peter
blowing up in her face.
Oh, all ends well, of course, but not before weve sat
through 90 minutes of bodily functions, sexual positions, and some of the least
subtle writing and filming weve seen in a while.
The Sweetest Thing has its moments, but while Theres
Something About Mary had us laughing out loud several times, the most
that emanated from us while watching this effort was the occasional chuckle.
And while Mary had its share of grossout humor, its grossout
humor that really propels The Sweetest Thing - despite its wish to be a movie
about romance.
Its too bad, because the actors are all well cast and
perform very well. But instead of intelligence were given an extended,
supposedly impromptu production number about how women react to men about their
male organs, Christina Applegate wriggling to pee in a mens urinal (why
didnt she just wait for the stall or use the sink? Oh, yeah, so wed
laugh at her wriggling to use the urinal) and cerebral stuff like that.
Okay, the movie doesnt pretend to be cerebral, nor should
it. But it pretends to be wildly funny and it never comes close to that.
Too bad, again, because theres nothing wrong with the
premise. But if it aint on the page, it aint on the stage, and
screenwriter Nancy M. Pimental chose to go unabashedly for the lowest common
denominator.
Shell undoubtedly have a bright future in Hollywood.
The DVDs pretty good as a DVD, though. The anamorphic
widescreen picture, 16x9 TV compatible, was digitally mastered in high
definition, and it looks great. The colors are rich and bright and, though the
film has a bit of a soft look (deliberately, undoubtedly), the video image is
very sharp.
Audio is Dolby Digital 5.1 surround and its very good, with
excellent tight bass on the musical sections and an open feel for the rest.
When you put the disc into a DVD ROM drive, youre given a
menu with the options of linking to the movies Web site or exiting back
out of the disc. This is annoying because, rather than having your DVD software
autoplay as it does with most DVDs, you have to manually start the disc.
Not a big deal, but bad interfacing nonetheless.
Extras include a making of feature thats
particularly self-and-peer-indulgent and A Day in the Life of Nancy M.
Pimental a feature about the woman who inflicted the screenplay on an
unsuspecting public. Theres also a director/cast commentary, storyboard
to screen comparisons, filmographies, and trailers for a whole whack of
movies.
The Sweetest Thing, from Columbia Tristar Home Video
90 min. anamorphic widescreen (1.85:1), 16x9 TV compatible, Dolby Digital
5.1 surround
Starring Cameron Diaz, Christina Applegate, Selma Blair
Produced by Cathy Konrad
Written by Nancy M. Pimental, Directed by Roger
Kumble
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