are the evil that allow us to watch free TV for free and, unfortunately,
much pay TV for pay.
We've been subjected
to assaults from these ads, usually just when the show's getting interesting,
since the day TV was born. Over the years, some enterprising entrepreneurs
have attempted to find ways for consumers to get away from the commercial
menace, but always with limited success.
Consumer Electronics, parent company of RCA, ProScan, and GE electronics,
introduced "Commercial Advance," a feature that almost completely
frees us from the clutches of the Eveready Bunny and Mr. Whipple.
Hype? Yes, but
this is the second year this feature has been available and we've tried
it both years - and it works.
ProScan is the
high end line of Thomson's products, but its PSVR65 is a middle-of-the-road
VHS HiFi VCR. The 4 head VCR is finished in a handsome, matte black case.
Front panel controls are sparse, which makes for a very clean look. All
you get are the Power, Eject, VCR/TV, Play, and FF/REW controls; the other
major controls (and a set of front input jacks) are hidden away behind
downward-swinging panels, and they're very small. That doesn't really
matter, though, because you'll be operating the deck from the universal
remote control most - if not all - of the time.
Ease of use
has always been a hallmark of Thomson products and on the whole this continues
unabated. For example, while the company's VCR's have traditionally been
some of the easiest to program for 'time shift' recording (taping a TV
show for watching later), it has been augmented with "VCR Plus+,"
which lets you use those numbers that follow the program descriptions
in a lot of TV listing publications. You just punch in the code and -
Presto! - the VCR timer is set for you.
But that isn't
all. Anyone frustrated by the flashing "12:00" of the VCR's
clock will be pleased to know that with this model, they don't have to
set the clock: the VCR actually does it for you! When we first plugged
the unit in, it set its own clock and our jaws sagged to the floor in
it set the clock an hour slow. Why? The VCR gets the signal by finding
a channel that includes "Coordinated Universal Time" information
in its signal, and uses that to set its clock. In TechnoFILE's home of
Alberta, Canada, however, we live in the Mountain time zone but the closest
channel offering that handy info is in Spokane, Washington, USA, which
is in the Pacific time zone. Hence the hour's difference.
But the ProScan
rode to the rescue anyway. When we ran the unit's setup program, it prompted
us for our time zone and asked us if we celebrated Daylight Savings Time.
We answered these plaintive queries and PRESTO! the clock was set correctly
for our little corner of the world. Slick!
remote, which looks a bit like a high tech telephone, controls a second
VCR or DVD player, your TV, cable box, DSS, or "AUX", and from
most brands. Its layout is pretty straightforward and easy to use, though
we found it a little more confusing than some of their previous models
(but only a little). One thing to remember is that, since this is a universal
remote, you have to tell it which piece of equipment you want to operate.
So to turn on the TV, you have to press the "TV" button and
then hit the "Power" button, but once you're used to doing that
you'll be fine.
And, joy of
joys, ProScan has backlit the remote, so it's
easy to use in a darkened room. You just press the "light button"
on the remote's face and it illuminates with a gentle green light. Handy
Going by the
The manual does
a nice job of walking the new owner through the deck's abundance of features,
beginning with clear instructions on hooking the thing up and continuing
on to more esoteric things like using two VCR's for tape-to-tape editing.
Diagrams are in abundance, the written text is plain, and you get a reference
section at the end to give you hints for troubleshooting, cleaning, and
even an FAQ section for the "Commercial Advance" feature.
On the Menu..
Not only did
the VCR's onscreen menus easily walk us through the clock setup, but it
made quick work of the entire initial setup, like the channels we wanted
programmed into the up/down scan, etc.
is not a cure for cancer. However, it's one heck of an innovation and
it works extremely well. Okay, it wasn't perfect; it missed a couple of
breaks. But only a couple, and we were never sure if the fault was the
VCR's or the TV station's 'cause, as far as we could tell, when the VCR
missed the break the commercial break itself was unusual. We didn't actually
write down the number of hits as opposed to misses, but we'd have to estimate
at least a 90% success rate for the commercial advance.
And that's more
than acceptable. Hell, if we'd had a 90% success rate in high school,
Advance feature has to be enabled in the onscreen menus, but that's easy
enough, and you can set it to function either automatically or manually.
Then, when the machine finishes taping and before it shuts down, it goes
back through the recording session, identifying and marking the commercial
breaks. You can even choose to have a blue background displayed during
the commercials if you think watching the tape zip through the break might
make you seasick.
And boy, does
it zip! If you're recording on slow speed (SLP), the VCR hightails it
through the break like the Roadrunner being pursued by the Coyote. Thomson
says it reduces 3 minutes of mind numbing pitches to about twelve seconds
of blissful relief! On SP it isn't as quick, but it's plenty fast enough.
A couple of
commercial killer caveats should be considered. The feature only works
on shows longer than 15 minutes and it might not catch all the station
identification breaks or promos. And, of course, if you're prone to using
the commercial break to get some food or go to the bathroom, you'll have
to get used to the PAUSE control instead, or learn to pee really, really
On the whole,
however, we were amazed by how well the Commercial Advance feature worked.
For the most part, it would start scanning the moment the picture darkened
at the beginning of the break and would pick up playing again at the instant
the programming resumed - without losing a single word of the show's dialogue.
We wonder if
it scans through ProScan commercials
The PSVR65 also
came with "automatic tracking," which is a nice feature if you
play a lot of tapes recorded on other VCR's (or if you rent a lot of pre-recorded
video movies). You can override it and set the tracking by yourself, too,
though it's not something you should have to do often. In fact, about
the only time we had tracking problems was when playing back tapes it
shouldn't have even handled. More about that later.
The freeze frame
on this VCR was rock solid, though we didn't try it in the LP speed (you
probably won't either). The variable slo-mo also worked well on those
wrinkle is the unit's digital jog/shuttle feature. This is something more
commonly found on decks that specialize in machine-to-machine editing,
which could explain why we missed it while oohing and ahhing over the
is an easy way to either zip quickly through the tape when you're looking
for a specific scene, or to advance frame-by-frame to line up your cuts
for editing. This VCR lets you do either, from the front panel or from
the remote control.
The front panel
jog/shuttle control is a relatively conventional wheel, though it's missing
the "jog" control from inside it. Not to worry, though; a simple
flick of the wheel in either direction advances you by frames, and the
speed picks up progressively if you simply move the wheel farther in either
On the remote
you don't get a wheel, but you do get a quartet of "arrow keys"
that perform the same function. All you have to do is press the "jog
shuttle" button beside the keys, and get to work. The "left"
and "right" arrows control the speed search features - by pressing
the buttons repeatedly the speed increases. Similarly, the "up"
and "down" arrows handle the "frame advance" or "frame
rewind" functions. It works quite well and makes for a much smaller
remote than if ProScan had put a duplicate wheel on it.
And this VCR
will show program information (if the station broadcasts it) when you
press the "display" button.
There are also
more conventional features, like an actual time counter (as opposed to
the old-fashioned "estimate" given by some counters), time and
index search, audio dubbing, etc. And you also get what ProScan calls
its "Pro-Tect Plus" locking feature, that prevents anyone from
messing up your timeshift recording by daring to use the VCR during your
pre-programmed time. You do this by holding down the POWER button on the
remote for six seconds, at which time the VCR's display proudly announces
to the world that it's locked. To remove the spell, you just hold down
the VCR1 button (VCR2 if you've set it up that way) until the display
gives you a cheery "HELLO." It's pretty slick and if you've
ever missed a program because the kids were messing with the VCR, you'll
appreciate this feature.
As with its
predecessor, the PSVR65 plays back tapes recorded in the high resolution
SuperVHS mode (S-VHS). And it's not supposed to, though we were delighted
it did. S-VHS is only "backward compatible," which means regular
VHS tapes play on S-VHS decks, but not vice versa. It's the same as floppy
disk drives: a 1.44 meg drive will play 720K discs, but not the other
So when we unthinkingly
inserted an S-VHS-recorded tape into the deck it should have showed a
smeary unwatchable picture. But it didn't: the tracking was off a bit
(and wouldn't adjust completely) but the results were quite watchable.
Being a standard
VHS VCR, the picture is merely adequate. But one doesn't buy this type
of unit for its outstanding picture quality: that's why there's S-VHS,
Laserdisc, and DVD. The Hi-Fi sound, as usual, is excellent, and you get
a 181 channel MTS stereo tuner (178 in Canada).
As a machine
for viewing rented movies the PSVR65 was fine, but we'd recommend graduating
to DVD as the titles become more plentiful. Where this VCR really shines
is when recording from TV, and that's because of that remarkable "Commercial
Advance" feature that really does work as advertised.
Here we have
a reasonably priced, good performer that's - joy of joys! - easy to use!
Tell us at TechnoFile what YOU think