Panasonic's Pixels Worth Thousands of Words
By Jim Bray
Digital cameras have certainly come a long way quickly.
Where once they were almost exclusively the "instamatic" type of point and shoot consumer camera, bare bones and low res, they've now evolved to the point where consumers can take pictures like a pro, while pros have even less reason than before to continue with their particular brand of "negative thinking."
I recently played with a couple of Panasonic's newest digital cameras, one from near each end of their line, and came away impressed with what you can now do affordably – and intimidated by just how sophisticated a high end digital camera can be.
You could almost call it "The tale of the Lumix and the Lummox."
The Lumix is Panasonic's Lumix FX-07, a lovely little point and shoot camera that fits into (and falls out of, if you aren't careful!) a shirt pocket and is full of thoughtful features that really endeared it to me.
The "Lummox" is Panasonic's heavy duty Lumix DMC-L1 digital SLR, a camera that brought to mind my old Pentax film camera and other SLR's of the rapidly ending "analog" age. This is a far better camera than I am a photographer, yet if you want to leave it on its automatic settings (which, though convenient, is kind of a waste of features in this case, methinks) you can still create breathtaking shots without expending any skull sweat.
The cameras share variations of many features, such as Panasonic's Venus engine, the image processor that's the heart of the company's digital cameras and which they say helps achieve "shutter release lag of less than .006 second". They also share the Optical Image Stabilization theme that holds the picture steady even if you're off your meds and an F2.8 wide angle view that lets you get more background into your shots that you might imagine.
That wide angle worked out really well for me in my tests using the FX-07. I took it to some particularly touristy locations and was amazed at just how much stuff I could get into the frame besides my human subjects. One memorable series of shots had my wife and son standing in front of a row of totem poles and, thanks to the Lumix, I got the whole row in, something my reference digital camera wouldn't do.
Panasonic also includes a "high angle LCD function" which means you can hold the camera up high above your head and still make out what's on the little screen (within reason, of course). This could be handy if, for example, you're trying to shoot a parade and there are taller people in front of you – and it works well.
A Little Lulu….
The FX-07 comes with a 2.5 inch LCD monitor on its rear panel that displays 207,000 pixels, and it also features high-speed auto focus, continuous burst shooting mode and, as with most digital cameras these days, you can also use it to record video (with audio), in this case at 640 x 480 pixels (30 frames per second in 4:3 standard mode) or 848 x 480 pixels (30 fps in 16:9 widescreen mode). Panasonic claims you can get up to 320 Shots on a single charge of the lithium ion battery that's included in the box.
Here's a list of more features:
The little Lumix is really handy and it's very easy to use. I used it on automatic most of the time, and it worked just fine, and of course you can opt for the more manual features if you want. The pictures I got from the FX-07 were excellent, despite having been shot in a variety of lighting conditions.
Panasonic lists the FX-07 for $350U.S./$480 Canadian.
But if that isn't enough for you, the Lumix DMC-L1 is definitely a serious camera!
It's big and bulky compared with the pocket sized FX-07, but not if you compare it with the film-based SLR's (Single lens reflex) it's designed to replace. It features interchangeable lenses just like a "real" camera, and positively bristles with buttons, knobs and gewgaws.
The camera "feels" like an analog camera in use, comfortable in the hands and easily familiar for those who want the security blanket of an "old fashioned" film camera body. You can check your settings using the 2.5 inch LCD monitor on the back, the aperture ring turns with your left hand, like it should, and the shutter dial can be twisted with your right hand while you're holding the camera. As I said, it feels just like a "real" camera.
Though it's been years since I've used a "real" SLR, this Panasonic felt just right and operates with the tactile feel and audible "clicks" that tell you when you've made a manual adjustment that it has, indeed, taken effect.
As mentioned above, the L1 is a far better camera than I am a photographer, so I was more than a tad intimidated by it. It's so flexible and sophisticated that you'll want to spend some time with the manual if you plan to really exploit it.
On the other hand, you can just leave it on automatic and shoot away to your heart's content, though that's kind of a waste of its outrageously long list of features. But my results, even on the automatic settings (or, perhaps, because I used the automatic settings!), were great.
Here's a quick list of some DMC-L1 features that nearly scratches the surface:
Then there's the Leica D lens that comes in the box, which Panasonic says is the first Leica designed specifically for a digital SLR:
All for $1995 U.S./$2399 Canadian! Okay, that's a lot of green for a digital camera, but this is one heck of a digital camera. Heck, you even get a dust reduction system designed to keep crud off the image sensor when you change lenses.
Panasonic is obviously going after the serious photographer here, though
it may be facing a bit of an uphill battle in a marketplace where names such
as Nikon and Canon are more traditionally thought of than Panasonic. But with
its Lumix DMC-L1 digital SLR, the company has come up with a model that deserves
consideration by professionals looking to move to the digital domain.
Jim Bray's columns are available through the TechnoFile Syndicate.
We welcome your comments!